During this COVID-19 crisis I’ve been able to spend more time making prints. I’ve also been reading about the “how-to’s” of Japanese woodblock. I think it’s important to note that as difficult as this time is, there’s a lot of good coming from it. Not just having more time at home to organize, read, write or create, but time to spend on more meaningful thoughts and actions. I could write a blog post on that alone. Instead, I’m devoting this post to some good reading for the Japanese woodblock print maker.
It’s easy to find reference books on printmaking. However very few addresses Japanese woodblock. And while you may find several, in my opinion, there aren’t many as well written or as complete as these two: “Japanese Woodblock Print Workshop,” by April Vollmer and “The Art and Craft of Woodblock Printmaking,” by Kari Laitinen, Tuula Moilanen and Antti Tanttu.
A great reference book on mokuhanga: Japanese Woodblock Print Workshop
April Vollmer’s book focuses specifically on Japanese woodblock printmaking. In it, she covers history, tools and materials, and how to create a print by providing step-by-step instructions. It’s a comprehensive, beautiful book with outstanding photographs.
As you read, it’s clear that she was writing for artists outside of Japan, making mokuhanga accessible for people with little or no understanding of this complex and traditional art form. She includes pictures of materials, information on where to purchase and examples of how to use them. In addition to the informative text and photographs, she features contemporary artists’ work throughout. It’s really a lovely book and a delight to hold.
Another excellent book: The Art and Craft of Woodblock Printmaking
In this book you’ll find a comprehensive reference for all things woodblock. It begins with the use of oil-based inks and ends with watercolor paints. Everything involved in each art form is covered. This book is well-written with excellent photographs and illustrations. It’s easy to understand and informative. I reference it often as it’s a great primer.
Both books are perfect for the beginner, as well as the more advanced print maker. When I have a question or need a refresher on a technique, I return to these books. I’ve never been disappointed. Information that I’ve included in earlier posts, Tools and Materials and Brushes for Japanese Woodblock Printmaking, come from my experiences and these books.
Both can be found on McClain’s website. They can also be purchased on Amazon. They are worth adding to your library as there is a lot to learn in this art form. For now, stay home, read, make art and stay safe.
